Tuesday, June 5, 2018

B-Movie Bomb: The Pirate Movie (Spoilers)


“You know what Gilbert and Sullivan needs? More 1980's!”

Said nobody ever. But, too bad, because we got The Pirate Movie anyway.

A 1982 very loose remake of The Pirates Of Penzance, the movie was a rock and roll musical that decided, as the opening joke stated, it needed more 1980's, along with a ton of references, a sequence that screams more they needed to wrap this thing up than being funny, and stuff that makes you think that somewhere up in the entertainment section of Heaven, Gilbert and Sullivan themselves are constantly facepalming.

The movie was born from the idea of one of it's lead actors, Ted Hamilton...

Meaning you just didn't have to be the guy who changed cop dramas to come up with awful things.

Bonus points if you remember the previous post.

...and got the go ahead to rush into production. And, boy howdy, do I mean rushed because around that time, the 1983 movie adaptation of the original play got the go ahead too. So, if some spots have holes, feel rushed, or just happen without explanation, it was all to beat a movie that made $694,497...which was due to theaters pissed off at Universal for releasing it also on two subscription TV services at the time, SelecTV and ONTV.

So, the movie opens with an impressive battle and, I gotta admit, a kick ass song (“Victory”) to start off the mov---and the words “The End” flash on the screen...

OK, THAT'S A REVIEW, STRIKE THE SITE, BREAK FOR LUNCH!

No, actually they showed a clip from a pirate movie as part of this pirate festival at...80's Beach...Austra...Amer...Somewhere, where we meet our leading lady, Mable (Kristy McNichol) as she's with her hot friends and she's...a plane Jane...

Yes, even the 80's had the hot nerd trope.

Well, turns out on the big boat this...beach somewhere...is holding a sword fighting demonstration, that her friends draft Mable to sign up for and work with the instructor (Christopher Atkins), who takes a linking to...uh...her...nerdy...nature...okay...I guess all it took to know somebody in the 80's was looking like an art student and teaching them how to use a sword.

Well, after her friends trick her out of the date to get the instructor to themselves, Mable gets the idea to rent a boat...but since she's never sailed before, she falls overboard and washes up on...beach no. 2 right before the dream sequence that will be most of the movie.

Ok, fine, this movie is mostly a dream, it's not like they're gonna open on what many would consider the first internet meme or anything.

So the movie/dream sequence popper starts with the trainer, known here as Frederick, ordering his shipmates to fight another ship and to prepare to be boarded by said ship's crew...ninjas...

*SLAP*

I'm sorry, I must've seen that wrong...let me watch again...

So the movie/dream sequence popper starts with the trainer, known here as Frederick, ordering his shipmates to fight another ship and to prepare to be boarded by said ship's crew...ninjas...

*SLAP*

...ow...

Yeah...predating the internet, Pirates Vs. Ninjas...I got nothing outside of asking if the fog machine was really making fog. Oh, and the cherry on top? The actual leader of the pirates (Ted Hamilton), known as the Pirate King...

STOP! NO! YOU! YOU WITH THE ANIME COLLECTION! YES, YOU WITH THE WANTED POSTERS AND A CERTAIN HAT! STOP RIGHT THERE! I'M TALKING TO YOU! YES! YOU! STOP THIS RIGHT NOW!

...makes a joke about “Ordering Chinese but this is rediculous.” Excuse me...

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...oog...this just started and I'm already toing dhis.

…

*HEADDESK*

Doing this.

They capture the ninja captain...who's also an Irish Tenor...I...I..just roll with it...and then celebrate Frederic's birthday. I dunno, I would've just called it a day after that, I mean a Pirates Vs. Ninja party would've made for an AWESOME b-day party back in the day. Well, turn out this means he can join the group...except he remembers that pesky part about pirates killing his family, and, well, that puts a damper when he announces that he's gonna be a pirate hunter.

Kids, ya train 'em to loot and plunder and the next thing you know, they wanna do the right thing.

This causes him to be tricked off of the ship and into a tiny boat...but enough about that, let's jump to an island that has several women, including Mable, wanting a man to call their own. You can tell Mabel is the one that we're supposed to root for because the other women are dressed like the play while she's dressed in the 80's.

After the exposition saying they all want a dude to call their own, we jump back to Frederic's boat as the woman, Ruth (Maggie Kirkpatrick) tries to get in his pants, something she's been waiting to do for 21 years.

Huh..Frederic's turned 21 tod---

MOVING ON! MOVING THE FUCK ON! MOVING ON!

Frederic sees the isle of women and swims to it, where...we hear a knock off of the Jaws theme only for it to stop...then he just springs up slowly...WOW...easiest parody to do and you screw it right the hell up.

Naturally, this leads to the sappiest love song that ever sapped, “First Love” as Frederic and Mable sing about love at first site...with horses that just appeared and then vanish again...I feel like that loaner Crow from MST3K...



But the short sexy times, complete with an insta “Might wanna marry you...”

...meh, close enough.

...come to a stop when Frederic's pirate family pull up on to the island and go after Mabel's sisters, complete with the Pirate King seeing that his ship parked on the beach and remarked that he got pretty close to the curb.

Ok, that was funny.

This leads to a sword fight between the King and Mable...and of course, because she's an amateur, it's sloppy. But that's fine, it's just here until the movie gets to the play's most popular song, “Modern Major General...”

...with a (then) modern twist, as it includes the lyrics to inform us that the general (Bill Kerr) is older than the Beatles but younger than the Rolling Stones.

Pure Gilbert and Sullivan.

Yeah...I gotta be honest, THAT is cringe worthy. For the most part, they do a good job covering the song, right down to how absurd it's supposed to sound...then they throw the Beatles line in. I get it, it's supposed to be a parody...but the Pirates of Penzace is already a parody, it's a satire! It's supposed to be a knock/satire on operas, class rules, and all that stuffy...uh...stuff that Gilbert and Sullivan wanted to make fun of with this play.

This is like writing a parody of The Naked Gun movies.

Well, after the song, the General tells the King he's an orphan, and well, turns out they have a rule of not robbing or hurting orphans due to being ones themselves, so they go away. Which I'm sure they'll NEVER bother anybody again...and yes, they of course, anchored themselves outside the cove. But Mable uses this to her advantage, striking a deal with her dad because he doesn't want her to marry a poor boy: They steal the treasure on the ship, give it to Frederic, they get married. Thus, they plan on, later that night, to board the ship...while Frederic drools over her body, causing her to remark that the body's an eight but the brain's a 10.

...you agreed to be in this movie, you wanna re-think that?

They sneak on board, only for Frederic to reveal not only is the treasure burred somewhere, but the map is on the back of the Pirate King, thus we get a seduction bit loaded with bad jokes and puns, such as yes, that is a dagger in his pocket...

If I have to ask the question, ask your parents what a pick up line is.

...and after finding out the age of consent, saying he's old enough. This leads to even MORE shinagines from remarking he likes how a woman knows her place after saying she's a feminest...

Ha, ha, ha...ha, ha, ha?

...to trying to cover up Frederic damn near screwing up the plan by saying she's got goosebumps, leading to him staring at Mable's boobs and remarking push ups would fix that.



After tricking him into posing so Frederic can draw the map, Mable tricks the Pirate King into blindfolding himself...and Ruth just HAPPENS to walk on by, and uses the set up to her own advantage thus tricking...the King...to...

MOVING ON! MOVING ON! NOTHING TO SEE HERE! MOVING ON!

Frederic and Mable manage to sink the ship and take the map leading to the treasure, thus leading to the next day and Frederic under water finding the treasure while Mable pumps his helmet full of air, leading to the movie's most infamous musical number, “Pumping and Blowing.”

If I have to explain the context for you, might I recommend re-taking 3rd Grade Health without laughing after opening the book.

But...this does have me wondering...did the original play really need the 80's update? It's already a satire, time just changed what type it was. When Pirates of Penzance was created, it was a 'Take that' against the rules and systems of the day, as well as a parody of the type of opera and theater that was popular. Now, while it's viewed as the same kind of classic it's parodying, it's viewed more as a parody of old plays in a historical sense vs. pop culture.

This? This is just cramming as much modern and pop culture from the day they could so they can stay “Relevant” and rush it out to beat the actual parody. It'd be like if Hot Shots was a parody of Air America in response to Aces: Iron Eagle 3 coming out two years after it, it's not funny, it's more shouting “WE'RE RELEVANT, DAMN IT,” and...why do I get the feeling there's a modern equivalent t---



...aw crap...

Right, so, after that sequence, down to animated cartoon fish...I'm guessing drugs due to the 80's...they find the treasure, which turns out to be...the old treasure from Mable's family?

“HEY GUYS, ARE THERE THINGS THAT ARE HAPPENING!?”

Well, with the pirates 20 minutes away, Mable's dad tells Frederic to go and raise an army, which jumps to...Frederic falling off a horse?

“HEY GUYS, ARE THERE THINGS THAT ARE HAPPENING!?”

Well, this causes the Pirate King to ambush him and...take him to a room in the General's house that has a whole coffin?

“HEY GUYS, ARE THERE THINGS THAT ARE HAPPENING!?”

Was the deadline to beat the '83 adaptation REALLY this important!?

Apparently so, because at one point, the fight goes in fast forward...for just a minute as it's just a balancing act on a balcony...

Hey, if it gets this thing over faster, I'll be happy.

...only for Frederic to land in a library and have the Pirate King and Ruth corner him. Well, he's not going down without a fight, so they fight in the library and...are suddenly on the roof?

“HEY GUYS, ARE THERE THINGS THAT ARE HAPPENING!?”

RUSH! RUSH! RUSH! GOTTA BEAT THE '83 ADAPTATION!

There are a couple of funny bits though, them agreeing to move the fight to safer grounds when the Pirate King almost falls, taking a break to enjoy some booze, and the Pirate King seeing physics is not his friend as his sword just won't cut some candles down where as Frederic had no problems. Well, enough of the comedy, let's get back to the crap as Frederic gets the King into the coffin, and runs swords through it, only to reveal the King escaped on the grounds you know this magic trick already.

Eventually, the King gains the upper hand until...Frederic remembers the Force, turning his sword into a Light Saber before Force lifting it!?

“HEY GUYS, ARE THERE THINGS THAT ARE HAPPENING!?”

I swear, this movie is a perfect substitute for a frontal lobotomy.

They stop the fight when the King reveals the loophole to the whole “Freed at 21” thing. Turns out Frederic was born during a leap year, thus he wasn't freed at his 21st year, he was freed at his 21st BIRTHDAY, thus meaning he's technically 5.75, leading to another 80's music sequence about how he can't live without Mable, complete with that Gilbert & Sullivan staple...the Casio.

He tells Mable the whole story...this leading her to wonder if, due to this, the leather, and such, if he's really gay.

Sorry for ripping off the Nostalgia Critic with this line, but I'm going for two!

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Ooog...is it yver oet?

…

*HEADDESK*

Is it over yet?

They talk it out, and thus Frederic says he can't give up his sense of honor and will go back to the pirates...as he walks on water...only to fall in after a few feet!?

“HEY GUYS, ARE THERE THINGS THAT ARE HAPPENING!?”

HOW MUCH LONGER IS THIS!? 32 MINUTES!? GAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!

JUST HOW MANY TIMES CAN I SAY “THIS ISN'T FUNNY” ALREADY!?

We get another 80's song about love, blah, blah, blah. She eventually goes and tells the General what's happening and sees he's drunker than a dude bro on a beach, so she decides she's gonna form the army and lead the troops herself!

...can we go back to the drunk?

After seeing Mable ride off to get her army, we see...the Keystone Kops?

Pure Gilbert and Sull---

*SKREEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEECH*

Get this, after a quick google search, I found out that yes, some productions of The Pirates of Penzance, including the 1983 version that this was trying to beat at the box office, has the Keystone Kops IN the play. I can't honestly answer how adding them improved other adaptations or productions of the play, I've never seen the pre-Kops version of the original or the original source material that's giving us this rush job in general. But here, they sing “Tarantara” and...see Mable as Joan of Arc?

“HEY GUYS, ARE THERE THINGS THAT ARE HAPPENING!?”

She tells them it's time to fight or die, they choose to bail on the grounds that she's got girl parts. This has her yell she'll take it to their boss...Inspector Clouseau...

“HEY GUYS, ARE THERE THINGS THAT ARE HAPPENING!?”

Really? Just...just...REALLY!? I'd show a clip of Disaster Movie to elaborate just how stupid putting Inspector Clouseau in something called The Pirate Movie, but I already drove that point home once with a clip from Disaster Movie and, frankly, one clip from that movie is enough.

Where as one clip from this movie is one too many.

Anyway, they talk and...ugh...he keeps mispronouncing she keeps misunderstand---you know what, this makes Inspector Clouseau more fun to watch, so I'm gonna move on before I start actually recommending it and kick myself for doing so.

After a phallic joke involving the billy clubs and the Keystone Kops hearing the words “Cop killing...”

If I need to tell you the exact joke, I welcome you to life then want you to ask grandpa why grandma keeps smiling.

...we jump to the pirates...for a minute and then go back to the Kops being chicken then back to the pirates. Boy, both of those had a point. The pirates go to the gate and...suddenly it's time lapsing to night? Just how far away was that thing, anyway? So they get the battering ram and...use it to ring the doorbell and say “Avon calling!”

…



At least when I use the reference humor in this thing, it means something vs. “This was a thing” like this...uh...thing has!

So the Pirates start wrecking up the place while Frederic sees Mable hidden in one of the suits of armors. The two talk with him trying to convince her and everybody else to run, but Mable replies “Have you tried running in one of these things lately, it's a real bitch.”

Ok, that was funny.

The pirates, all the while the Kops try to hide, managed to get into the main study but Mable and her sisters were ready to...hit the pirates' climbing net but not exactly...cut...it...okay...she then pleads to Frederic to help...only for him to refuse due to his honor, thus leading the Keystone Kops to come in and...do nothing as the captain's baton suddenly flies and deflates like a cartoon balloon?

“HEY GUYS, ARE THERE THINGS THAT ARE HAPPENING!?”

I DON'T KNOW!

That's it! I've had all I can stanz, I can stanz no more! Let's wrap this up!

The fight goes into the General's home gym, where it becomes a melee via somebody pressing the fast forward button in some spots, the Keystone Kops beating up a pirate...while trying to block the camera from showing them beating up a pirate...

MOVE ON! MOVE ON! MOVING ON!

...Frederic trying to protect Mable, the dude with the sword from Radiers of the Lost Arc showing up only for Indiana Jones to shoot him again, a chef wheeling in cream pies only to reveal he's not gonna use them but use PIZZA pies instead...

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GAH! WON'T THIS SUCKING THING FTOP!

…

*HEADDESK*

Forget it! I'm not repeating it!

It eventually comes down to Frederic Vs. Mable, he kisses and she replies with a knee to the groin. The pirates then surround everybody and are ready to kill...uh...everybody, by starting with Mable and throwing her into the sea. Realizing this is her dream...

...and this movie has to beat the 1983 adaptation...

...she ups and stops it and demands a happy ending. At first, the dream world says 'Okay,' as the general knights Frederic and says marrying Mable gets his approval...only for the dream for SOME REASON to decide “Nah, gotta honor traditions” as it turns out she can't get married until her sisters do. The Pirate King reminds her it's a dream and everybody freezes while she plays match maker between the pirates and her sisters while the viewer goes for a very stiff drink.

Everybody winds up with somebody, including the Pirate King with Ruth because he wanted to be with that woman that he was with last night via Mable's trick...

Who knew tricking somebody into thinking they were another person was such a turn on?

...and the next day, we get a big wedding to “Give Me A Happy Ending,” thus ending the dream.

Oh, thank Christ it's o---wait...

(Sees there's 5 minutes left)

…



Yes, we have to go back to the real world where this all started as the pirate teacher from earlier, the one that inspired Frederic from the dream, kisses Mable on the lips...

Because sexual assaulting somebody you just met means love in the early 80's.

...and it finally, MERCUFULLY, ends sometime later with the two apparently married and walking to a reprise of “Give Me A Happy Ending,” while I sing “Give Me That Jager Bottle.”

As I said, this thing was a rush job to beat the 1983 The Pirates Of Penzance adaptation and boy, does it show in most spots, especially the climax. There's a reason I kept tossing out the “HEY GUYS...” quote in this thing, after all. Then there's some of the comedy like having Indiana Jones or Inspector Clouseau pop in and some of the more Juvenal humor like Ruth waiting 21 years to bed Frederic...who just turned 21...yeah...saying that's Juvenal's being nice.

Some of the songs are actually pretty good, the stand outs being “Victory” and “Give Me A Happy Ending,” and they do a pretty decent job with the songs from the original play...provided they don't throw pop culture into the mix.

But then comes the big problem...it's a parody...of a parody.

This, aside from it being a rush job, is probably why a lot of the jokes are pop culture related or really have nothing to do with the source material to begin with. The original play was a parody of the class system and standards back then, so what the heck was the point of making it a parody of itself? It could've worked just fine as a rock opera version of The Pirates Of Penzance, the original play is still viewed as a classic despite the elements it parodies being long gone, but as a parody of a parody? Yeah...

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FINAL VERDICT: For being a rush job, a parody of a parody, throwing in pop culture in songs that didn't need it, but bonus points for some good songs and A funny moment, this movie gets a SUPER ATOMIC B-MOVIE BOMB! Honestly, if you just got the soundtrack, you'd be a lot happier. Now, if you'll excuse me, I need something to recover from this thing so I'm gonna find a copy of Suicide Squad. Hey, this thing made me dumb enough to call Chevy Chase movies “Art,” what else would I use to recover from this movie?

Monday, May 7, 2018

B-Movie Bomb's Flintstoned: The Flintstones No. 3 (Spoilers)


Before anybody that's a fan of this comic groans at my next review, it's not that I have something up my ass, or I'm uptight, or even a Herbert...

Boy, I gotta stop watching so much Trek...

...but it's just that, for me, they're writing the satire/jokes with no breaks. They go into that one extra step that takes the satire one degree too far to where the message is less presented and more hitting you over the head while yelling “GET IT!? GET IT!? GET IT!?”

And the praise for this thing isn't unwanted, there's a reason the Hanna Barbara Beyond version of The Flintstones has a following AND was considered one of the best comics of 2016, there's some very clever ideas in here. A future issue uses traditional marriage in place of gay marriage to address the topic, turning the controversy and issues on its head. The church's scheme, from the last issue, wasn't to make money but actually make people better than they currently were. There were even genuine touching and humane moments in the comic, such as Fred and Wilma getting tired of all the crap around them and laying out their feelings on the table.

But there's something that always screws it up. The comic's writer, Mark Russell, seems to ignore the part of the satire that shouts “Now wait a minute, stupid” before it goes too far. Having God being products labeled “Crap,” having a UFC match right after a war vet has a horrible 'Naim like flashback, and stuff that's coming up that'll have me tug my shirt and hoping to God I don't say the wrong joke/thing.

So, what does The Flintstones No. 3 decide to satire? Two things that go together like oil and chocolate: Spring Break and traumatized war vets!

You're not the only one who's brain just had to reboot at that.

Oh, and when you hear just how the Spring Break part gets the satire treatment, it's gonna hurt. Lots.

So, the comic opens with the middle school versions of Bam Bam and Pebbles on a field trip to the planetarium. Now, at first, they do great with the jokes with the Carl Sagon look-a-like, named Sargon...

Ha, ha.

...telling the kids that there's thousands of stars and that Earth revolving around the sun is ridiculous when it's clearly on the back of a turtle that revolves around the sun.

You know the drill kids, on the count of 3! 1, 2, 3!

“So, how do they screw this up?”

Sargon decides to show the kids a rocket launch via the Rube Goldberg/Loony Tunes method by dropping a dinosaur on a plank of wood, thus launching the rocket ship on said wood, with a monkey in it. The monkey is named Sgt. Grumbles and Sargon reassures an inquisitive Pebbles that “His spaceship knows which way to go,” as Grumbles asks the dinosaur to “Tell my wife I love her very much,” with said dino replying “She knows.”

Yeah...we have a whole reference to “Space Oddity...” and the monkey is named Sgt. Grumbles...but don't worry, the title of the STORY is Space Oddity. As if that excuses it...I mean...IT WAS RIGHT THERE!

The one time you were allowed to do the obvious joke and have it be funny...

Naturally, it goes wrong and the monkey dies, causing Pebbles to wonder if they just killed a monkey to impress some kids. This day and age, all somebody has to do is heat an iron ball and put it on top of something to be easily impressed.

Unrelated, note to self, update favorites.

But it turns out the rocket got high enough to get the attention...of little green men. That's right, this comic introduces us to the Hanna Barbara Beyond version of the Great Gazoo and his people! Yes, where as at least the cartoon version had Harvey Corrman to at least salvage something, this is a Hanna Barbara Beyond comic, the same line that at one point made Top Cat a Batman villain...

Granted, nothing has come out of it a year later, as of this writing.

...or decided the Jetson's robot maid, Rose, needed to have the curves of a sex bot and have the brain of George Jetson's mom. Trust me when I say you're gonna be wishing the aliens from Viva Rock Vegas were the threat in this one.

After reassuring all they're just here is to explore, Mr. Slate wastes no time and starts kissing up to the lead alien, causing the alien to freak out and, as soon as he's on board the ship, remark that they should just note Earth on the “Galactipedia” and bail. This leads to Fred and Barn having a conversation about it with their fellow war vets at the pool hall, causing them to share the POVs from “Don't trust them” to “Being paranoid.”

So, how do they screw that up?

Well, a convo about invading aliens is the perfect time to force a commentary on returning soldiers! Yes, right out of no where, the soldier buddy brings up that if this is indeed an invasion, people will take them seriously again and we get a whole flashback where they were briefly famous then wound up not able to find work or homes.

*CRACK*

OW! OW! WHIPLASH! OW!

Mistreatment of our vets is a serious topic and something that is sadly still done to this very day, but this was really forced. How did we go to talking about aliens and their intent to 'Society turned our backs on us?' They couldn't just left it on 'We can finally feel needed again' or 'If they invade, we'll remind them why they once loved us?' It's like I said earlier, they have the message and the joke, they just don't know where to pump the breaks.

But, kudos to the dark joke where the suicide hot line puts one of the vets on hold and he complains about the hold music.

So, with depressed vets trying to find their place in the world in mind, now's the perfect time for the second commentary...




It turns out a second UFO, complete with an alien version of that mud flap of a naked woman, lands full of college aliens looking for “Galactic Break” fun! This includes wrecking a family moment with the Flintstones as one of 'em barfs in Wilma's kitchen, several them being hauled off to jail, and disintegrating the cops.

...how's this different from Florida?

This causes Bam Bam and Pebbles to head to the planetarium, while Fred runs home as the town is getting slaughtered by the college aliens. Once there, he tells Wilma to go find the kids while he gets some back up...while the news argues between the college aliens killing everybody or actually helping the economy.

*CRACK*

OW! OW! OW!

We then jump to the war vets and learn that in this universe, “Yaba-Daba-Do” is what the traumatized vets were told to say to channel through it and say it as in they can “Yaba-Daba-Do-it...”

...yeah, chances are real life traumatized vets wouldn't like that their issues were reduced to a 60's cartoon phrase...

...as Fred runs in to gather everybody, complete with a note to the vet who was...and still is...on hold with the suicide hotline.

Meanwhile, Pebbles and Bam Bam hit the Planetarium and...have a direction about being bullied...

Oh, it's just a bunch of drunk frat E.T.s and sorority E.T.s wiping Bedrock off the map for a drunkin' good time, that's all.

...seriously, I think Bedrock just invented Florida.

...before realizing the best way to stop these intergalactic A-holes is to call their parents. It works, as they're sent home and they send back the shark jumper himself, the Great Gazoo! And in this continuity, his name means “Game Warden.”

And if you're waiting for Dangerous Game jokes...yeah, my luck is I saw The Pest instead, and...




...yeah...not gonna do it...

So, the issue then ends with the mayor calling for the town to honor a true hero...

The monkey.

...who deserves all the reconition that he'll get via a statue...

It's the monkey.

...causing everybody to think it was the soldier that was dusted, the one that was used to say our vets are being mistreated by being put on hold for so long after calling a suicide hotline...

I know the joke, it's the monkey.

...only for it to be revealed to be, shock of all shocks, the monkey that started all of this. Why? Because the comic doesn't think jokes need breaks.

Here's the thing, I love satire. If done right, not only can it be funny, but it can deliver a powerful message, be it something major like politics or your own personal issues like getting tired of a movie genre. If done wrong, not only can the humor be lost, but so can the message as it's focus is to just whale you over the head while shouting “GET IT!?” over and over again.

And issue 3 of The Flintstones shows this problem off.

For every joke that actually works, like the turtle carrying Earth is what revolves around the sun or the on hold vet asking if the suicide hot line has good hold music, there's jokes that ether fall flat on it's face like using the song “Space Oddity” but the monkey is NOT Maj. Tom, commentary that's hammered in such as the digression of the vet telling Fred (And thus the audience) of how they were heroes one minute and treated like bums the next, or something that takes the satire into “GET IT!?” territory like the monkey statue at the end.

There are smart comedy moments and smart commentary moments, but when a joke comes to die, it FUCKING dies, and when the comedy and commentary collide, the part that should tell the writer “Stop, your satire's message went through” doesn't kick in and it goes that one degree too far to be funny OR subtle. Still, if you like this comic and this issue, there's some interesting takes on classic stuff from the show, such as Gazoo meaning/being a “Game Warden” or Mr. Slate trying too hard to be friendly to the aliens in the first place, making him more of a sleazeball than the cartoon.

But you just have to remember, unlike Maj. Tom's spaceship, when it comes to this satire, it has no idea where to go.

And folks, the next issue is the most famous/infamous in not only the entire comic, but the whole Hanna-Barbara Beyond line and it's a prime example of twisting a controversy on its ear for a satire...and beating you over the head with it regardless who's side you're on...mixed with ANOTHER issue that's a touchy subject.

Hint for the first one: Adam and *BLANK*

Hint for the second: A certain Taylor Swift interrupting rapper talked about it...causing everybody to point out he's ether on something or insane.

...ain't my job/hobby grand?

FINAL VERDICT: For satire that goes into “GET IT!?” territory, for jokes that show up here only to die, but bonus points for some jokes and satire that actually work, this comic gets a MST3K B-MOVIE BOMB! You might have some fun with it, just not what the writer intended. Now if you'll excuse me, I have to get ready to review issue 4 of this thing, bomb shelters don't dig themselves.

Wednesday, April 11, 2018

The Idiot's Lantern: You Have The Right to Sing Off Key...


Note: I originally wrote a series of stupid TV moments years ago on That Guy With The Glasses and I won't deny I thought about re-reviewing this thing after the death of it's creator, Steven Bochco, but this is not to make fun of the man. This is to make fun of a series he did that was very flawed, but it doesn't take away both him being very passionate about it nor his skills that were responsible for the modern police drama as well as modern legal dramas. So please, enjoy this look as the one time a bad idea bared fruit from a smart man. Thanks.

If it wasn't for the fact that we had stuff like Hill Street Blues, there'd be no Brooklyn Nine-Nine. While you can argue what changed legal dramas first, since the debuts of L.A. Law (1986) and Law & Order (1990) were just a few years apart, but L.A. Law focused on the human element of the attorneys just as much, if not more than, as it focused on their jobs. One way or another, all modern legal and police drama, as well as comedies, that most of us have grown up on to this very day wouldn't exist without the creative mind of Steven Bochco, who wanted to look at the humans behind the badge, the people that defended the people, etc.

Unfortunately, he also decided at one point they should carry a tune, thus we were given Cop Rock.

The idea for this came when somebody had the suggestion of turning Hill Street Blues into a musical...

(Waits for the laughing to stop)

...and those plans fell through. Well, proving that any idea, even a bad one, can stick to you like glue, Bochco decided to go with it. And I'm willing to bet some of you were wondering how the heck could this idea go through, especially since I anticipated you readers laughing at the idea of a Hill Street Blues musical, right? Well, Bochco's shows gave any network he was on at the time the best ratings they ever saw, be it legal dramas like L.A. Law or medical dramedies like Doogie Howser M.D., thus giving him enough clout to...

Only say “Cop Rock” to get the okay. Yeah. No pilot, no trailer, not even a writer's bible, just the title and the minute his bosses heard the first word of it, “Cop,” they thought “Cha-ching!”

Did I mention it lasted only one season and was out before it's only year, 1990, was over?

So, just how stupid can it be if I can write about it without seeing an episode (Don't have the DVD from Shout! Factory...as of this writing anyway...) but I still feel like I can write about it? Well, for every moment of awesome that's this...



You have moments like this...





For things like a powerful opening like “Under the Gun...”




You have...whatever this is supposed to be...



Oh, and if you're wondering if the ladies get their own “Bumpy” song, well for every moment that shows the girls ready to kick some ass...




You get this...





To top it all off, one of the main overacing plots was about baby kidnapping...yeah, try to process that with half the songs I showed you, throwing in with it an entire song about how you should think of the local sleaze ball “Baby broker” as your new best friend. It's kinda easy to see why with all of that it lasted only one season, but they actually went out with a bang with the entire cast actually singing the final song, complete with the fat lady singing because, get it?



Bochco would go on to create other successful dramas such as NYPD Blue, and whenever he or the cast of this show are interviewed, they have nothing but praise for the show, saying it's some of the most fun they ever had so there's that at least. Top it all off, some of the show's fans say that the camp value makes it more fun, and some of the songs that I looked up for this were pretty catchy...



I SAID SOME!

For awhile, VH1, A&E, and currently defunct network Trio actually aired this show, and most of them promoted all the eps as “Stupid fun,” something that, via the camp value I mentioned, the fans agree with. If you guys liked this article enough, I'll get my hands on the DVD from Shout! Factory and review the episodes proper, but if you wanna see this thing for yourself, Shout! released it a couple of years ago on DVD, so chances are you can still get a copy.

Just remember, it's a “Bumpity Bump bump” ride.

...I'm...sorry...



Monday, April 2, 2018

B-Movie Bomb's Flintstoned: The Flintstones No. 2 (Spoilers)


Last year, I reviewed one of the comics from DC's Hanna Barbara Beyond line, The Flintstones. Long story short, it was an unsubtle mess that included things like going to a UFC event right after a war meeting that had a vet suffer horrible flashbacks to an event that still haunts them to this day, a message about how “civilization is bad, m'kay,” and so on.

Well, since I had a good time reviewing it...

Not so much reading it.

...and you people love seeing me in pain...

Seriously, you people love seeing me in so much pain.

This Spring, starting with this review, I'm doing monthly reviews of the next five issues (2-6) of The Flintstones in what I'm calling B-Movie Bomb's Flintstoned. A look at the rest of the first half of the comic that is ether a great commentary on modern society...or as subtle as a brick to the head.

Yeah, you can guess where it falls with me.

Now, before we start, I wanna make this clear: This isn't a case of “MY CHILDHOOD...”

Ok, SOME of it isn't.

...this is about how a comic tries to get mature readers using a license that's usually for families. It's not that it can't be done (Hell, Archie Comics' horror line and Riverdale proves that), it's HOW they can be done. If something comes off as bashing you over the head, it doesn't matter the property or how it's adapted, if you have a message you need to have a def touch, do it in a way that makes the reader draw his/her own conclusions. If you force the message, you wind up insulting the viewer on the grounds of “Who you callin' stupid!?”

A good example of something as subtle as a brick is the anti-Margret Thature ep of Doctor Who, The Happiness Patrol, where the main villianess has Thature's mannerisms, quotes, but a HUGE lust for power and urge to control everybody's free will. The end result is less a show telling you why somebody like Thature is bad for the country and more a show yelling at you that the woman is so nuts that she'll sick candy robots on you.

Not kidding.

So, what does something like The Flintstones No. 2 have in terms of social commentary and satire? TV, materialism, and religion. And if you're groaning at the two out of three, you know where this is going...and I'm so sorry.

So, the comic opens with a middle school aged Bam Bam getting threatened to be punched “In the beef...”

...you wanna tenderize his stakes?

...by a bully...until he lifts the bully and shows him off to Betty and Barney like he's a trophy, but like most parents, they tell him that it's nice and all but he's blocking their stories as the Rubbles have one of the first ever TVs. Fred thinks its a wall demon until Betty points out what it is, and I gotta say, I love how the TV is presented here. It's gray like the rest of the stones and broad casts in black and white, the end result being the “It's like moving pictures” phrase taken to the next level as it looks just like that, moving cave pictures. And the satire actually kicks off with a bang, as the newscaster is not only new, with the rest of his crew, to TV, but is actually shocked that kids are watching a violent image and apologizes on the grounds that it's their first day.

So, how do they screw it up?

By having the next story be about “Crap.” No, not that kind, the kind you buy but you don't need, spelled out as such by the news, complete with an interview with a guy that has tons of junk in his hands saying “I love my crap.”

Yeah, but he's got nothing on this guy.




So then the Flintstones head to the mall to buy, what else, crap they don't need. This includes a TV for themselves, a bird with a lot of teeth as a can opener, and a goat for weed eating, leading to (Admittedly) a funny bit where Fred says he bought a weed whacker prompting Wilma to ask “What's a weed?”

So, how do they screw that up?

Right after that, we go to a record store with some hint that it's playing rap music about rump shaking, causing Wilma to freak out and plug a middle school aged Pebbles ears right before leaving to go home and play with their crap, including weed eating and putting the living goat in the garage right after Fred's done.

And yes, this will hurt for future issues. And yes, you can probably guess the symbolism already.

Well, that part's done, time to satire religion! The Flintstones head to church to worship Morp, the God from the first issue the UFC fighter thanked. It turns out Morp is a bird that helped guided the first tribes across land and to water when needed, so naturally the priest of the church comes to one conclusion...

MORP IS THE RECORD PLAYER HE SAW AT THE MALL!

Yes, in a way that the comic shouts “GET IT” to the reader, their God is now their record player and thus tells those at the church that what's about to come out is the word of Morp...and that record is the rap that freaked Wilma out at the store, causing everybody to decide they're over religion.

If you're waiting for me to make the obvious joke of buying the wrong item, keep that in mind...it will hurt later.

While the girls go out shopping after church, Fred decides to go to his local VFW (The Water Buffalos for those that missed the first issue/didn't read the review) and laments to Barney that he feels like he can't afford everything but wants to make sure he can, causing one of his soldier buddies to hear and con the two into selling pep pills, which they agree to with at least Fred thinking things will be easy from now on.

The next day, the Flintstones head back to church, to which the priest decided “Ok, Morp's kinda not God” and pulls out a tiny elephant named Peaches and declares it the new God. When somebody asks what Peaches want, the priest replies “Uh, to have a good time” causing everybody to be happy...except the other priest who remarks that the answer was so stupid, he might as well join the Unitarians...

Wait, there's more than one faith in Bedrock?

Anyway, the Flintstones then go to Bone Depot...

Ha, ha, ha.

...to return their lizard garbage disposal only to be told it had to be recycled just before getting a bag of assorted...meats...

Ok, how many of you parents blindly bought this comic for your little one had to explain somethings?

They explore the store, but then the Flintstones find the store has their own Peaches. Several of 'em. See, turns out the mini elephant the church wanted people to worship as God...was a vacuum cleaner.

OW! OW! UNSUBTLE THUD HURT ME! OW!

The only saving grace with this bit is that it's hinted, via one of the preachers yelling the good things the church does like meals on wheels and that it's giving people meaning that this wasn't a money making scheme, that it was a way to unite people and make them feel something other than wanting to bash each other over the head. It's different, I'll give it that, on the grounds that most of the time, the joke is that the church behind it are like Oral Roberts or Joel Osteen, in it for the money and fame vs. making a difference.

But it still doesn't change the fact that in an issue that's shouting at you “MATERALISM IS BAD, M'KAY,” that the first two Gods they went to were a record player and a vacuum.

Despite all the positive things the church was doing, the people leave en-mass and cause the two preachers to think about who to make God when most of the animals are used for labor...

We'll get to that in a future issue...oog...

...and they just decide to make God invisible, calling him Gerald because they never got to the naming yet.

I dunno, he looks like a “Bob” or a “Jerry” to me.

While all this is going on, Fred and Barney sell those pills mentioned earlier, with Barney using his son's strength as BS to get people to buy and Fred going door to door, able to sell one to a hippie family...on the grounds they were looking for something to drop before taking a bath. Seeing he was only getting paid in one small pebble, Fred smashes the guy's desk and walks away in disgust.

I would've held out for clams, myself.

Eventually, a dejected Fred comes home and tells Wilma what's going on. Wilma then tells Fred that all the crap around them doesn't mean anything, that it's human contact she loves the most and whatever Fred wants to get rid of, he can because, hey, things are things.

Awwwwwwwwwww, that's sweet and touching and really drives home why the Flintstones are among the best pop culture family/couples out there.

So, how do they screw it up?

Well, future issues wind up showing the animals that make up the appliances as the sentient beings they were in the cartoon, but since humans can't understand them, they just use them and thus the comic makes said animals a slave allegory...

Oh, we'll get to that in the future.

...so let what Wilma said, and the “Assorted Meats” gag, really sink in.

As for the screw up within the issue? Fred takes most of the crap back...

Yes, calling the appliances “Crap” also applies to the whole slavery allegory in a future issue, let that sink in too.

...but finds, due to one of them being damaged, he can only get some of it back in store credit and must spend it in the store. The issue then ends with Fred seeing, in a cage due to being a discontinued line and about to be recycled, Dino and taking him on the grounds that he does nothing.

And yes, the other appliances, because of the slave allegory, will view Dino as an “Uncle Tom.” I already anticipating that review to be one of the hardest and most shirt tugging to write for obvious reasons.

Issue 2 gets the ball rolling better on what type of book The Flintstones will be for the Hanna-Barbara Beyond line and...it's a mix bag that swings mostly negative to me.

The main problem I have with the issue is that it wants to tell these jokes about the modern age and all it's issues, and at first it comes off good that way but then it has to take that one extra step that yanks it out of being subtle and starts whaling you over the head with it. After we see the news operate under “It's my first day” and just flat out calling all the junk people by Crap, the comic mixes religion into it's anti-materialism message the minute it made Morp into a record player...then just continued it by making the new God, Peaches, into a vacuum cleaner.

There were some unique ideas, I like that Fred and Barney aren't morons, I love how the TV, via the image being black and white, looks like the same stone color as the houses and taking the phrase “Like moving pictures” to a new level, the church actually coming up with Gods and such to make people good, and I thought Wilma asking what a weed was after Fred buying the goat was funny.

But, again, if you're gonna have a message on how focusing on having the next new thing is bad or hook your materialism satire into your religious satire, you need to do it gently. If they took out the religious stuff and just had the name “Crap” be the end result of the town just wondering what to name all the stuff they bought and it caught on in a positive way, it'd be fine. This at least does the wasteful spending satire ok, but linking it with religious satire is both a step too far and causes the reader to lose focus on what the comic is trying to say overall.

Bottom line is that while I can see why this comic has it's fans, there's too many moments where I could hear the issue yell “GET IT!? GET IT!? GET IT!?” for me to enjoy it.

And the shouting is only gonna get louder, folks.

FINAL VERDICT: For not knowing when to pull back, to flat out not knowing when to stop, this movie gets a MEGA ATOMIC DESTRUCTION B-MOVIE BOMB! Just because the Vertigo formula works on most kids properties, doesn't mean it works on ALL kids properties. Now, if you'll excuse me, my folks just got back from returning the dishwasher and decided suddenly we're having a backyard B...B...Q...is it too late to go vegan?