Thursday, April 29, 2021

B-Movie Bomb: Making Mr. Right (1987, spoilers)

 For as long as there's been fiction about it, there's always been a question of “When will AI become sentient...and how long until we're screwed because of it?”


Be it the rules of robotics in I-Robot, Skynet trying to change the timeline into their favor starting with the first Terminator movie, or even the playful and friendly nature of the AI tanks, Tachikomas, in Ghost In The Shell, various shows, novels, movies, and other media, have always tried their hands at answering when will AI be like us humans and what can be the cause.


Oh, and can it transcend genres from strict sci-fi into romantic comedies with a hint of sci-fi, like the 80's tried to answer with Making Mr. Right.


Yes, that was the classy way of asking if you can sleep with it.


One of the many many MANY projects that make people question if John Malkovich is in it for the money or just really really loves working, the movie is one of several attempts in the 80's to try to something different with a well known genre, adding sci-fi to the rom-com, and...bombed big time at the box office, making only over $1 Million on a budget of...





THIS THING WAS $9 MILLION!? What, half for Miami, half for cocaine!?


Hey, it's the 80's, somebody was on something.


This was also something of a bounce back for it's director, Susan Seidelman, who's last movie was...



Desperately Seeking Susan...




Oooooooooooooooooooooooohhhhhhhhhhhhhhhhh booooooooooooooooooyyyyyyyyyyyy...


So, the movie opens with a hungover Frankie Stone (Ann Magnuson) seeing a recap of the activities of one Steve Marcus (Ben Masters), her client at her PR firm...and apparently her now ex-boyfriend as he had too much of a good time with the other ladies at a beauty pageant he was participating in.


Ethics, who needs 'em?


After throwing everything about the guy out, while said guy was trying to give her flowers, she drives down to work...while doing things like putting on make up and shaving her legs...


And you thought your best friend texting WandaVision spoilers while driving was an issue.


After arriving at her firm, and telling them to dump the now ex-boyfriend client...


Again, who needs ethics?


...her employees tell her she has an appointment to meet with the representative of a company that combines making chemicals with technology, known as Chemtec...


From the people that would've named your electric mouse Pokemon Elecrat.


...who want her to market this android, Ulysses, they're making for space travel to the average Joe Q. Public. This is completed with a demo reel staring Ulysses's creator, Jeff Petters (John Malkovich), the idea is that since congress said no to funding this thing, make the public love it so much, they'd change their minds and use those funds to take it to Mars as part of an experiment.


To be fair, it was a few years before Schwarzenegger would say “Get your ass to Mars,” so they had to find other ways of the idea being catchy.


So, the idea is this: If enough of the people demand the android, they have a good chance of getting funding for the Mars mission they wanna do with the android. The catch? Because it's women who control the TV and buy a huge chunk of the magazines, Stone has to market the android to the fairer sex and do it her way.


And we're moving on because at least half of you made the “What are his settings” joke already.


With 35 days set for the deadline, Chemtech agrees to letting her do things her way as we see her off to see the android! She gets told that parking is in Lot C, thus leading her to a part of the building's road that circles...and circles...and circles...until she's back to where she pulled in.


NINE MILLION DOLLARS, FOLKS! You better have laughed at that, you can just feel the money being spent!


She finds her way in and gets welcomed by one of the people from earlier, Dr. Ramdas (Harsh Nayyar), who escorts her to the robotics lab...and leaves her alone in it as he goes off to get Dr. Petters. Oh, it's just billions of dollars in 80's money worth of equipment! What can go wrong!? Well, after seeing two people cosplay as baked potatoes make day glow Sprite...


Feel that $9,000,000 budget, folks!


...what looks like Petters walks right in, but if you know Bad Comedy 101, it's a case of mistaken identity and it's really Ulysses (Also done by Malcovich, dressed like he just got done with prison rugby), as we find out after...he grabs her boobs wondering what boobs are and she pushes him over, wrecking the millions on millions, at least, dollar project.


Made to survive everything from the long trip to space and the harsh surface of Mars, just don't push.


The real guy pops up and, because this is $9,000,000 in 1987, we don't see the two Malcovich's at the exact same time, as we keep seeing the back of the other's head. Sure, 26 years ago, they were able to make you think they had 2 Haley Millses, but we need the money for day glow Sprite made by baked potato cosplayers. BAKED POTATO COSPLAYERS!


But don't worry, we do get to see them in the same shot...as Stone, Petters, and Ramdas watching making of videos of the android. Sure, it would've been more interesting if we saw this while both the creator and android were in person for Stone, but hey, we gotta spend $9,000,000 so you can laugh at Malkovich hitting a wall several times while trying out for the Ministry of Silly Walks.


You did laugh, right? This is $9,000,000 in 1987 money, after all.


After agreeing to help make the android more human, Stone heads home to find her friend, Trish (Glenne Headly), waiting for her with some bags. Turns out she left her husband, an actor, after he got busted having an affair, leading to her getting out the all important suitcase: The booze filled one! Yes, when life gets you down, be it leaving your actor husband because he's an asshole, or your politician boyfriend...


Which is the same thing when you think about it.


...there's nothing like a depressant to chase the blues away.


We then see Stone try to teach Ulysses how a human makes eye contact and listens...only to hear that her ex is waiting for her outside the area Chemtec gave her to teach Ulysses how to hoo-man.


Again, who needs ethics, am I right?


After doing what every parent of the 80's did and told the android to let the TV babysit...and just like a child, he decides to go through the purse instead...


NINE MILLION DOLLARS, EVERYBODY!


Turns out, Marcus was there with roses and the two start to argue. What? It's not like the company that hired her put her on the clock or anything! Well, after that bit, we got more important things for our $9,000,000 movie, like seeing Ulysses discover what a diaphragm is! $9,000,000 for a joke that'll be done better with condoms and an SNL movie in the 90's.


Oh, and because the gag is “Because he's just like a kid,” the only thing he barley knows how to do? Smoke Stone's cigarettes...backwards. Not sure how that barley computes for an android that had such limited programmed code he asked what boobs are, but ok.


Naturally, Petters walks in to see all of this, including Ulysses quoting Marcus's ad commercial, and reacts to the fact that the android is acting like a 5 year old by...saying he's turned into a hooker...ooooooooooooookkkkkkkkkkkkkaaaaaaaaaaaaaay...


Well, enough of that, let's see what Stone's doing while the company is paying her to teach the android how to hoo-man! Why, working things out with her ex, of course, namely that they can at least work together or he can hire her assistant...which she takes offense against...


Uh...why?


...which leads her into lying that she's already moved on to another dude...and Dr. Petters becomes the patsy, unknown to him!


Oh, those pesky “Ethics” and “Morality” thing would just get in the way!


We then jump to Frankie's sister, Ivy Stone (Susan Berman) and their mom, Estelle Stone (Polly Bergen) as Ivy is trying on dresses...leading to a two in one joke, as Estelle notices Ivy's unshaven arm pits. This is because of both her husband to be liking it and something about being a modern feminist.



Ya know, I'm gonna look something up, because a movie I know somewhat well came out a year later, was a sci-fi romantic comedy, bombed when it came out, but moved on to become a cult classic where as I had to dig and find Making Mr. Right up on YouTube (Legally) with ads...





And it was...$10 Million! We got all that for a million more than this movie! But, I'm sure for $9 million, we can get just as much effort with this, like...jokes that their mom wants the daughters to marry for fame and money over love and actual human emotions.


They spent $9,000,000 for that awkward sil---I mean “that gut-busting moment,” you better act accordingly!


And I know, a budget doesn't mean good movie, or even “So bad, it's good movie,” good times were made for less. Ernest Goes to Camp came out a month later in the same year, was done for $3.5 million, and it's budget had to factor in not only a location that involved a lake and stunts that included a moment involving throwing weapons at somebody, but an explosion, turtles falling from the sky via parachutes, various moments involving fire, and dropping a sign on a guy.


And what have we gotten so far with our $9,000,000 love story? Driving in circles, baked potatoes making day glow sprite, Malkovich trying out for the Ministry of Silly Walks, and armpits that need a shave. Feel that money rolling in, folks!


It's revealed that both her sister and her mom asked Frankie's ex to give Ivy away on the grounds the dad is not there. Lots of questions involving this even if he wasn't Frankie's ex, but ok. Anyway, after Frankie hears Trish and her soon to be ex arguing upstairs...and the ex's agent giving her $20 to beat it, she goes back to Chemtec where we discover that Ulysses has yet to be taught how to social distance and sees that Frankie needs a massage, offering one because his creator taught him what to do in the event of his metallic joints cramping up.


Not sure how that works as massages involve muscles, tension, and circulation at times, but ok.


And he does so...using his...chin...


...uh...I don't think I wanna know what lessons the doc's been teaching...


She tells him foot grabbing is a no no and if you ever get the ok to do that, you have to get to know the person first and there's rules in being social that leads TO the feet grabbing. But sleeping with one client and lying about being in a relationship with another? That's ok! She kicks him out with a kiss before calling it a night as she decides to sleep in the building, given everything that's going on, leading to Ulysses trying to kiss the air because he's very curious about kissing.


Meanwhile, Petters arrives and has to deal with a date that, for him, had gone bad, Susie (Laurine Medcaff) as he tries to hide only to be spotted on the way and get annoyed. Top it all off, when he does ditch her and goes to work, Ulysses kisses him on the cheek and he freaks out about the lessons Frankie has been teaching him.


Buddy, you taught your creation how to massage feet with his chin, you are the last person to freak out about lessons. Eventually, it's decided to try not to teach him how to HOO-MAN so much because he's gonna be alone on Mars for 7 years, thus there'd be no point.


Keep that in mind, it'll hurt later.


So, after seeing Frankie concentrate on the marketing part of her assignment, she leaves and gives Ulysses a wave, thus having him see how to open the finger print scanning door, giving him an idea...an awful idea...Ulysses was given a terrible awful idea.


Not that it'd go anywhere, like a scientist would be dumb enough to make a look a like android have his fingerprints on it thus causing situations like this.


Ulysses then dresses up as Petters, fooling everybody until he got to the scanners, because of the thing I said in the last sentence. Sure enough, the door print works and he's out an about in the city. At first, things are fine, think of it as a more primitive version of Short Circuit 2 when Johnny-5 goes all over New York for some input...except Johnny's input at this point didn't have “Need woman.”


So, of course, the minute he goes outside and sees Frankie bent over her car to get some stuff, the android version of puberty kicks in. Boy, if he's like this after two lessons, imagine if we get the remake what'll happen when he finds out about the internet. Using the time for Frankie to talk to Ramdas to sneak into the backseat of her car, we then see him seeing all the buildings while the Turtles' “So Happy Together” starts playing.


Hey, part of that $9,000,000 went to the rights, we're gonna hear this somehow.


He reveals himself and then does the one man 500 dash to the mall they parked at, where he goes full “INPUT” mode and she freaks out over the possibility of her going to jail. Sleeping with clients and dragging another into her love life to trick an ex? Easy. Unknowingly taking something out which witnesses can say it was the android that did it without her knowledge? That's where you get in trouble!


After a bit where he's crawling on the floor to follow a kid---


...eep...


---'s toy...


*PHEW*


...he bumps into Steve, who naturally thinks it's Petters, all leading to Frankie running into both him and her assistant, Suzy (Polly Draper), who took the job as Steve's current campaign manager on the grounds that it's her big break, leading Frankie to remark both that “It's not that big” and wishing her “All the scusess we deserve.” Unethical, irresponsible, and a bit of a bitch, seeing as there's no evidence of even a kiss between the assistant and her ex...yeah, $9 million to make you root for this woman!


I know I keep driving this to the ground, but unless the budget included the blow like with Heaven's Gate, there is no way this is $9 million when an Ernest movie made for $3.5 million coming out the same year could include a lake, an explosion, falling snapping turtles, AND building a sign with the express purpose to drop it! And if you say “What about effects,” we had a shot of Malkovich's two characters sharing the same screen twice, totaling for LESS than a minute, and a plastic head that looks like him if you squint and share the cast's blow!


They have him hide in a tuxedo shop where the salesman (Robert Trebor) tries to get him to trying on outfits, leading to a bit where we find out that android is, indeed, “Fully functional.”






Wait, the mission to Mars is a solo mission, so why would the android need...uh...his own joystick? I have no clue why android made to explore would be given junk, maybe in the event that we have him feel out the aliens before we feel UP the aliens.


They get the tux, complete with Frankie trying to explain that she views Ulysses, due to both the way he's acting and learning, as a child...


Oh, that's in NO POSSIBLE WAY gonna make what happens next creepy.


...revealing that his creator gave him his own “Toy” to give him confidence! Most people collect model trains with giant engines, some make their own robot with “Upgrades.” Ulysses then gets distracted by a walking server robot that pops up in these movies, because it's 80's robots and we always need that comparison to remind you, an idiot according to the script, how different the lead is from a regular machine, which leads him to run right into Sandy.


And I'm gonna skip this part of them going on a date. You know it goes bad, I know it goes bad, I know the only relevant part is Frankie calls Trish and says Uylesses is her cousin coming for the wedding and to call her when he gets there, you know it's what I just wrote, so unlike this movie and it's $9,000,000, I won't waste any time here.


We go to Petters as he's on...a...simulator for...space...training...ok, it's not so much a simulator, but more what your community college's activities would call one after they put together left over parts from the storage room and hooked up a PlayStation on it and it reacts 30 seconds after what it was supposed to, complete with the deadline to have it done in a week.


$9,000,000 everybody!


You know what, I'm gonna look something else up, sticking with Ernest since his movie franchise started the same year this came out but with half the budget...let's see... 3 years later (1990)...Here we go, Ernest Goes to Jail! It's budget had to include at least a minute, total, of two Jim Varnies in one shot, special effects to show both Ernest getting electrocuted multiple times and flying once, an explosion, renting at least a couple of sections of a jail for outdoor shots, practical effects for when Ernest got hurt, including one pratfall from a ceiling and the other from after he exploded in the sky, and, of course, said practical effects including when he becomes a human magnet several times.


Total budget...$9,000,000!?


We get all that 3 years later for the same amount of money, complete with a small amount of time the movie had to have one actor in two parts on the same screen...even smaller than this movie...and what have we got for this movie for $9,000,000? Driving in circles, baked potatoes making soda, jokes about women shaving their pits, a joke about an android getting an “Upgrade,” a detached head that looks like John Malkovich if you squint and take half the blow I think this thing was really budged for...


Hey, it's 1987 Miami, it's a possibility.


...and a space simulator chair that looks like when the community college's activity group was told the week before to make a simulator for a video game.


The fact that two Ernest movies, one half of and the other the same budget, and a movie about aliens needing women with $1,000,000 more can not only justify their budget, but have the stories to both justify AND overcome issues with those budgets vs. what this movie has done with it's just has me wish I was watching those two Ernest movies and the aliens needing women one.


Sweet merciful crap, does this movie suck!


Anyway, Petters gets the call from Trish about the “Cousin,” which he tells Frankie and leaves her overjoyed at the news...until Trish revealed that she had sex with Ulysses, leaving him on the floor with his head backwards.


And no, I'm not making any jokes about his settings, you already did.


Frankie eventually gets him to her car, complete with him tied up so he doesn't go anywhere and she asks “What are you so happy about?”


Alright, given this was right after the reveal of him being able to “Fully function,” that was funny.


This leads to a conversation involving what love is and if she wants to find it...not sure asking somebody willing to sleep with clients is a good person to ask, but ok...leading to Ulysses to say if he were human, he'd be in love with Frankie.



Why?


No, really, why? Most of this movie has been her trying to reign him in and we only saw a couple of “How to HOO-MAN” lessons. He's only known love through a bad day and a night so good, it literally screwed his head backwards. Maybe if we saw more lessons, there was more time outside once he got out, her dialogue at this point wasn't “I wanna take you home,” “Why is this happening,” “Help, I lost my android,” then maybe we could buy it. But the way it stands, all she does is yell at him, berate him, get annoyed by hi---



Insert joke about marriage or being into that stuff here.


So, the next day, Ulysses has questions for his creator about sex, namely if you can be in love with another person while having sex with another person, what's love, blah, blah, blah. Of course, it's the same “Love doesn't exist, it's science” bullshit conversation you heard in EVERY movie where the creator of the robot doesn't know “How to be the HOO-MAN,” so let's skip it. Though, I'll admit, we're one step closer to justifying the $9,000,000 as we get TWENTY WHOLE SECONDS of seeing two John Malkoviches at once! TWENTY SECONDS!


Again, the Ernest movie 3 years later has two Jim Varnes on the screen just once for the same money and still feels more justified.


Oh, and we get 12 more seconds after the rant Petters has is over. 32 seconds from this one spot alone, can't you feel the $9,000,000 coming off the screen!


Again, the Ernest movie 3 years later with the same budget had to include renting a jail and effects had two Varnies on for less time, still justified.


We jump to Frankie, who has to deal with her mother finding out from Frankie's ex that she might bring who he thought (Thanks to Petters making Ulysses look exactly like him) was the doctor to the wedding, leading her to asking Petters to go. Yes, ask the person that knows less how to “Hoo-MAN” than the android who is just learning how to “Hoo-MAN.” Of course, Petters agrees (After she flirts with him to get him TO agree...again, what are ethics?), which leads to Sandy seeing it and her getting angry due to the mix up with Ulysses. He gets slapped for his troubles, as we then jump to seeing a fake soap opera known as “New Jersey.”


...it can't be. It's too clean.





FEED ME, SEYMORE, FEED ME!


We see that the reason for this is because Trish is watching her actor husband make out with the actress, both in character, that he dumped her for and...she...thinks the whole thing filmed for the soap is real?


...why do I get the feeling that's the least stupid thing I'm gonna type about this scene?


We then see that Frankie's apartment is flooded with various stuff because, as it turns out, Ulysses thinks she's mad at him, thus got...her...all of this...stuff...wait...he's back in the lab! How did he do this!? Did they give him access to the Home Shopping Network!? WHY would they give him access to the Home Shopping Network!? They wanted him to stay focused on the Mars mission, why would they let---


GAH, THIS MOVIE SUCKS!


We do get the answer to...oh, are you kidding me!? HE BUYS FROM A KNOCK OFF HOME SHOPPING NETWORK ON THE COMPUTER! And, no, we don't see him with cash OR a credit card! What, does the “KOM-PU-TAR DO ANYTHING” include money!?


Ugh, whatever, let's just keep going, there's only...34...minutes...left...





Petters pulls up and takes the girls to the wedding while we see that Ulysses hid his tux and shoes in one of the computer banks, ready to use them. Not sure why nobody noticed the parts stopped working, or smelled like a shoe being burned by a computer core since those things put out heat, but ok. We then see the wedding...and I've seen more happy faces at a funeral...complete with the wedding photography of the couple being romantic...with...her mom...in the shot...


Look, between this, the chin massage, and where I really think the money went, I already think half the people on here are on blow, I don't need the confirmation.


So the post wedding party gets underway, we find out the ex actually has standards as he can't believe his new ad manager would pull “Vote for me” stuff at a wedding, and Frankie asks Petters to dance.


Alright, who ever cracked a “Do the robot” joke, go to the corner! Especially you! You know why!


Of course, the ex uses this time to cut in during a dance with Frankie and Petters so he can try his hand again. Her response, surprising nobody who knows what the word “Ethics” means at this point, is to use her current client to lie about another relationship. I don't know when “No” was invented, but I'm pretty sure it was before the 80's, SO WHY NOT JUST SAY IT!?


...Just...Say...nah, won't catch on.


Eventually, Trish catches up to Petters and sees him using space paste as food topping, explaining that he made it for the Ulysses project...



Wait, you gave him junk AND a stomach!? Hell, go the extra mile and make his systems so he has to stay hydrated in case there IS anything in the waters of Mars!





Anyway, they make small talk and...argh, for something that's just 25 more minutes I feel like it's 25 more hours, let's just move on!


Eventually, Ulysses arrives and the first thing he learns to do in a wedding is a conga line! Ok, either my brain is broke or that's funny, 'cause that's funny. Yeah...there's stuff with Petters and Trish, but if you know how the joke goes with awkward human and...uh... “Friendly” friend, you know how this goes so, like with the bad date, I won't waste the $9,000,000 this movie did here.


Though, it's not much of a skip, because right at this moment, Trish's ex shows up and wants to get her back. And since Petters and Ulysses share the same actor, you know where this is going and are probably gonna get a sandwich while I wish I was getting black out drunk. Eventually, we go back to Frankie and her ex as he tries for round 3...only for Ulysses to show up, have her mistake him as Jeff, and say his “I love yous.”


And, no, I don't know why he just doesn't say he's Ulysses. This is not the first time he's sneaked out of the lab, nor is there anything anybody can do, seeing as this is during the party and it'll be after the “I love yous” they can take him back...so...why does he want her to think he's him?


Also, where am I just now, I think I got lost?


Of course, right after saying that, she wants to get him back to the lab...and we're not clear yet if she knows that's really Ulysees...


Though, that might give the movie too much credit.


...as they kiss just before Trish's husband shows up and the android opens his big gob about how much Trish likes sex, leading to a fight with cameras everywhere watching.


Or what we call the internet on a Tuesday.


This leads to what would happen if Frankenstein were done under “Here's a $250 and my cousin's pool,” as Ulysses malfunctions thanks to all the sparks and electricity around him, complete with the Frankenstein walk, and crashes right into the hotel pool as Frankie yells “ULYSSES!”


Ok, she did, I'll give the movie the credit.


Because the press was there, due to...wait, why was the press there? Was the news really that slow in '87 Miami?


...anyway, because the press was there for...reasons...the mess gets covered and Frankie quits due to her involvement with the whole mess. Oh, NOW she has ethics! The end result, ironically enough, gives Chemtech what they wanted, as Miami can't get enough of that wacky android! I dunno, the fact that somebody is cashing in from a negative event in a scummy way says this is 2021 to me.


Eventually, Frankie and Trish have a bit of a fight when Trish tries to call her ex after it looks like his TV contract is up, leading her to try him again and Frankie to think about Ulysses...


...which leads to a CGI transition into a space simulation that probably factors into the $9,000,000...for 10 seconds...as Ulysses AND Petters are training for Mars. Or would be, if they weren't arguing about why it's impossible for the android to fall in lov---


YOU GAVE HIM FULLY FUNCTIONAL JUNK THAT REACTS APPROPRATLY! ACCORDING TO THE SCIENCE YOU KEEP ARGUING IS WHY THERE IS LOVE, YOU GAVE HIM LOVE! Yeesh.


Oh, whatever, let's just wrap the last 15 minutes of this $9,000,000 trash fire.


Frankie calls Steve and he uses his connections to get her into Ulysses's press conference before he gets his ass to Mars...


And if you thought that reference wasn't beneath me, welcome to your first time reading my stuff.


...but she encounters Petters along the way, as he tells her everything that's happened. Namely, it's her fault that the robot is too love struck to function right...even though he was the one that linked his robo junk to his brain, made it fully functional, and thus give him the 1's and 0's to process what the scientific version of love is.


Somebody call Journey, we got the answer!


Again, welcome to your first review.


Eventually, the conference goes off and Ulysses says he got rid of all that icky human mush stuff and is ready to be shot into space, bad movies from Deep 13 optional.



At least it's better than the fact that New Jersey was a fill in for Santa Barbra in this thing.


Also, get off my lawn.


Frankie gets spotted and thrown out before she could say good-bye, leading to lift off as Ulysses heads off to his 7 year mission to Mars as Petters shows up to comfort Frankie...only to reveal that since the press conference, the two swapped places with the android staying behind to be with the girl and the human going to Mars for the next 7 years because the human condition kinda sucks.


...I'm an optimist and even I have to think about that one...


Oh, and let the Turtles “Happy Together” play you off as you don't think about the implications of this, including leaving a man to be alone for at least 7 years with experimental food that he doesn't know would work save for the one time at the wedding, and leaving an experimental android made for the harshness of conditions of space here on Earth as his girlfriend can test his shock absorbers and settings.


Again, welcome to your first review as that's the best metaphor I can think of to equal me shouting NINE MILLION DOLLARS, EVERYBODY!


This, in no way, feels like a $9,000,000 movie, even when you factor in the scenes with two Malkoviches and the CGI. Considering an Ernest movie will come out a couple of years later with mostly practical effects and a scene with two Jim Varnies in it for even LESS than this thing having two Malkoviches, I can think of only one reason this thing got that much money.





Hey, 1987 Miami, it's possible.


Between seeing two baked potatoes make day glow sprite, driving in circles, and jokes about women needing to shave their pits, there's NOTHING on the screen that says it cost that much to make, especially when the other movies I mentioned either did less with more (Earth Girls Are Easy), or more with less (Ernest Goes To Camp), or did less with the same (Ernest Goes To Jail). Even if it did, that's still no excuse for jokes that fall flat or don't even hold up in the first place (Seriously, somebody under 30 without finding it on YouTube, do you know what Santa Barbra even was?), characters that you're supposed to like but can't (Does ANYBODY have ethics or a personality in between “Awkward” and “Get laid!?”), and stuff that...I don't even know where to begin (Seriously, WHY GIVE THE ROBOT JUNK!?). This was a waste of time, waste of life, and a waste of $9,000,000.


Again, the implications of the ending are a perfect metaphor for this thing.


FINAL VERDICT: For being unfunny, having unlikable characters, a waste of a budget (Unless there's a ring of truth in my drug jokes for the cast, then it explains a lot), but having a couple of moments that I did laugh at or showed characters being smart, this movie gets a SUPER ATOMIC B-MOVIE BOMB! It says something when the Not Quite Human movies have their bases covered better than this, and those were made for TV! Now, if you'll excuse me, I need a breather, I need SOMETHING with a much less wasteful budget and a tale that's actually timeless...like Aladdin! Yeah, Disney, uses its budget well, nothing bad can come from wanting to watch---





AWWWWWWWWWWWWW, *BLEEP* ME!

Saturday, March 13, 2021

B-Movie Bomb: Nostalgia Critic's The Wall (Spoils)

 For a huge chunk of my life, I only knew both the album and the band through the break out song. Like most of my generation, the first exposure to Pink Floyd can be narrowed down to either the album “Dark Side Of The Moon,” or the single “Another Brick In The Wall, Pt. 2.” For me, it was hearing that I don't need no education...and, yeah, I gotta admit, for awhile, it was the only Floyd song I heard.


But there's a reason that, despite it being off of a concept album (An album with a story), it broke out into a hit in it's own right. The fanbase of Floyd, especially the younger set, have gotten fed up with school at one point and the rebellious yells of “We don't need no education” and “Hey, Teacher, leave them kids alone” sparks like an anthem with some really great notes to accompany it. However, it's when you combine both the song's history AND the story of the album, “The Wall,” the song becomes better.


The idea behind the album was a combination of things, mainly the various lives and history of the band's members and how their leader, Roger Waters, was feeling at the time when he wrote it. TL;DR: The album is a combination of various issues and Waters' own emotions at the disconnect he feels between himself and the fans that was, no joke, the end result of him seeing a fan ECSTATIC over Waters spitting in his face.


Yeah...kinda makes you all freaked out in today's age, don't it?


The combination of these factors resulted in the story of the album, namely the artist known as Pink going over his personal history and how he feels about being famous. The result of the album was not only a hit for the band, but movie based on it, complete with expanding several elements of the album's story, most notably Pink (The lead character) and his feelings towards his fans.


Now, it's been recent that I heard the whole album, in fact I mainly did it for the review, and it's fantastic. As for the movie, I've never seen it as of this writing, but since the movie IS the album, I shouldn't have a problem with reviewing this...ugh... “tribute”...especially since I can research anything that I need to on the internet.


Which is more than Doug and Rob Walker have done for their...ugh... “tribute” known as Nostalgia Critic's The Wall.


This isn't so much of a tribute as an asshole who heard a classic rock station one day and realized he has a celebrity fan, Slipknot's Corey Taylor, that does music that he can use AND address people he felt wrong him...in a way that says his ego won't even let him even TRY to be self aware. Where as the actual album is poignant, dramatic, has the weight of both the fictional character and the history of the actual members of the band to back it up, this is just a moron screaming for almost an hour or so after getting floored at the karaoke bar and he forgot the words so he just made it up as he went THEN decided to call everybody assholes in the middle of it.


But...if this was just a bad review, that would be it...but not only does the review miss the point of both the movie...


Which I have to remind, I NEVER SAW AS OF THIS WRITING, I HAD TO DO RESEARCH AND HAD POP CULTURE OSMOSIOS ON MY SIDE, UNLIKE THE WALKERS!


Sorry if I'm being subtle on that.


...but there's an entire...ugh... “Tribute” album that misses the point of the original album. And because the...ugh... “Tribute” review is missing songs from the...ugh... “Tribute” album, we're also going to look at the album on the grounds that if I have to go to Hell, I'M TAKING YOU ALL, WITH ME!


So the review opens with a hotel maid (Tamera Chambers) about to knock on the door of it's version of Pink, the aforementioned Cory Taylor...or would've if the not so subtle sign told her not to *BLEEP*ing do it. The movie has Pink at the point where he wonders if everything he's gone through was all worth it, hence the whole album and it's start, “When the Tigers Broke Free, pt 1.”


Cory Taylor just calls up the Nostalgia Critic after just channel surfing, leading to Critic's review start,

“When The Wall Broke Free.”


...ha, ha, ha.





So, both the intro to the review and the song are centered around the idea that the movie, Pink Floyd-TheWall, bombed at the box office when young Cory, played by his own son, saw it at the time. It did not, it made most of it's money back. How do I know this? I DID MY RESEARCH!


Yeah, I never saw this movie and only listened to the full album recently, and yet I actually put in the effort to know about the original source than either of the Walkers have apparently done. I'm an idiot who only gets 100's of viewers on a text based site, and he's got a studio with a full cast...SO HOW AM I THE MORE PROFESSIONAL GUY!?


On it's own merits, the song is...fine. Nostalgia Critic just, as said earlier, sounds like a drunk in karaoke but the music that accompanies it is pretty good.


Unlike the album, though, the song is broken up into two parts as the first half ends with the maid trying again and her knocking somehow causing both a montage of the original movie AND the Nostalgia Critic himself to break out of the tv, leading to the first song on Doug's album, as that's more a...ugh... “Tribute” to the album than the movie soundtrack, “In The Floyd.”





And while, like “When The Wall Broke Free,” it has good music to go with it...the Nostalgia Critic answers the question of what you would sound like if you sung after drinking 2 bottles of the hardest whiskey the bar's got then inhaled helium right after. The point of the song was to address how Corey feels about the movie after thinking about it for the first time in years, leading to a flashback of him working at his dad's desk on homework when he finds a VHS of the movie.


I dunno, most kids would be trying to find the Playboys...or girls.


Yes, we at B-Movie Bomb don't discriminate porn hunting.


This causes young Cory to put on his best...shouldn't exist yet but somehow does...Hot Topic get up and pose in front of the mirror as Critic sings how the movie is really...whiny...


Yeah...we'll get to that...


It leads to the next song in both movie and album called “Corey” which is...just 14 seconds of a build up to jump right to his teacher yelling at him while showing off what'll be the answer to the animation characters.


We'll get to that AND we'll skip that song since, as I said, it's 14 seconds of nothing. In the meantime, let's get to the first song cut from the review, a mesh up of “Another Brick In The Wall Pt. 1” and “The Happiest Days Of Our Lives” called...ugh... “The Song After This One Is Really Good.”





While the original movie was a story about a singer named Pink, it was still also the story of the various members of the band, mostly Roger Waters's childhood. One of those issues was losing his dad at a young age to World War II and how it effected him growing up, leading to not only some of the issues he himself had as an adult, but those issues being reflected in Pink at various moments.


WHO THE HELL WANTS TO BE THAT DEEP!? We're all know you're here just for “Another Brick In The Wall Pt. 2,” so let's just insult the two songs before it! Lost dad during the war, WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA!


Yeah, the thing is the review and the album tell two different stories, depending on how they're done...and they're both awful in relation to the original. The review is done from the perspective of somebody remembering their experience going through watching the movie, where as the album feels like somebody going through the album. Granted, it can be explained off as the movie having more songs AND in different order...except both the movie AND the album have that element that makes it not just Pink's story, but the bands.


And making the review somebody remembering the movie and the album somebody remembering the album removes that.


The key element of both the album and the movie is the in the personal story of the band, the whole idea is the lead character, Pink, has let the worst elements of his personal life AND his disconnection with the fans is making said lead feel like he's being walled in, hence the name of the album and movie. It may have started when Waters had a reaction to the fan being happy that he got spat on, but it also stems from various issues he, and the band had growing up. Awful education system, without a father figure thanks to a war that happened when they were children/not even born yet, and overall fame.


TL;DR: Burnout, the album. Or, The movie in the...uh...movie's case.


But, who the Hell needs to hear this!? This is just some guy bitching about an awful life, especially his awful school years like everybody else does at one point, so there's not need to actually CARE or anything! At least according to the next song, the parody of the original album's break out song, “Another Brick in the Wall Pt. 2,” the most infamous part of the album, “We Need More Victimization!”





It appears in the review when Cory flashes back to a class, with everybody played by various Channel Awesome staff members, being called out for listening to rock music. Cory calls out back, saying that school should teach things like how to fix a car and keep a job...the school responds with they teach algebra and giggling. But that's not what this part is infamous for in the review, oh no. See, Doug and Rob must've thought the song on the album was too subtle, so they decided to have the Nostalgia Critic break out the worst Dracula-like voice you'd ever hear and say every nice teacher you ever known was lying and were really people who hated you!


Yeah, do I need to mention the problem of this, and the specific lyric of “School sucks, grow a damn pair of balls” being done...IN 2019!?


Yeah, in an era of school shooting, especially since most of NC's older audience had events like Columbine or others in their mind from when they were in high school, to say this was insensitive is an understatement. Even if you take those out, there are students that face bullies who do horrible things to them each day, be it beating them up or even worse, so there might be a pretty damn good reason kids still think or grown ups will always remember school does indeed suck.


But take all of that out when it comes to “Another Brick In The Wall, Pt. 2” because that wasn't made for American schools in mind. When the various band members went to school, post war Britain had one of THE worst education systems in Europe, if not the whole world. They didn't teach kids to stand up or focused on the basic skills as they should; the goal of the schools was, more or less, to tell each kid to keep their head down, don't raise trouble, and just keep the machine known as the empire going. You have problems with this particular law or think the problem should be solved a different way? TOO BAD! Sit down, shut up, take a ruler to the knuckles and NEVER question the system again!


Oh, and to really drive home what the system did in the movie? During the song, the kids are in a factory, either on an assembly line or marching, wearing these weird blank emotionless faces, eventually all marching into a meat grinder. How do I know this without seeing the movie, you ask?


Oh, I do the one thing nobody from Channel Awesome has done.


R-E-S-E-A-R-C-H.


That's for any CA staff members reading. I know spelling it out is subtle, so I thought I'd point it out.


Actually, on top of looking the scene up, I actually saw this part on VH-1 Classic a few years back when they aired it as a music video for the song. But, no, you're not gonna find this part, as the closest thing in the...ugh... “Tribute” is the head master going Godzilla and smashing the city. No, that's because the entire review's symbolism is focused on kids riding into the school on a train during World War II...and yes, the argument is the movie is going where that sentence sounds like...except...


And, again, this is from somebody who's never saw the movie, I just know this part through pop culture osmosis and a certain “R” word most of CA doesn't apply.


...it's not. Another thing about World War II Britain is there was a time families had to send their children away on trains to various parts of the country to be watched by random people chosen...uh...at random by the government to protect them, especially since Germany around that time already attacked.


A little thing called “The Blitz,” even Doug Walker might have heard of it...or you'd think anyway.


So, yeah, after completely missing the point of the symbolism of the trains shipping the kids off to school, we get into ANOTHER song where the Nostalgia Critic misses the point, the parody of “Goodbye, Blue Sky,” “So Long, Weird Song.”





The fact that he's calling THIS the Oscar bait song isn't the worst part of it. An Oscar bait song is when an adaptation of a musical (Or concept album in the movie's case) writes an original song with the purpose of getting an Oscar. No, the song was on the original album and was about the aforementioned Blitz from the POV of a child, complete with Waters own son, Henry, voicing the kid watching it.


And in the movie? It's a giant bird that obliterates everything from a dove to a city, complete with the city actually bleeding in the wound.


And in the...ugh... “Tribute?” The bird has the word “EGO” on it as it wipes out a dove, a person that has the words “Self Content” on his chest, then goes into a rant about how World War II and school don't go together.


And we're not to the worst part of either the...ugh... “Tributes” of the movie or the album, but boy are we close to it.


After that mess, and Tamera questioning how it's better, the Nostalgia Critic breaks in and says he's gonna do several slow songs...only for Cory to skip 'em all. The album does to as it goes right to the “Hey, You” parody, “Forgotten song.”





As far as the movie goes, footage was shot but wound up dropped due to time. As far as the song itself? This is where Pink realizes he's in the Wall and tries to get back to reality only to fail miserably.


As far as the...ugh... “Tribute” goes? It's Doug crying “I'M JESUS! I'M JUST LIKE JESUS!” for a minute.


Again, this is all in response to an album made for the band to work out their own issues both growing up and famous. I really hate to see what Doug would've done if the movie had “Shine-on You crazy Diamond.” Cory eventually falls asleep as the NC gets fed up with all the skipping as it leads to the parody of “Is There Anybody Out There,” “Is There Anybody Who Cares?”





And much like the last song, in the original album, it's Pink's attempt to try to get people to find him and get out of the wall he put himself in. In this one, it's about the viewer going through the “Boring” and “Dumb” parts of the movie. Oh, and just in case the “Boring” part is too subtle for you, it has the background sound of somebody snoring because, hey, why should Doug think you were smart enough to know you were at the part where he found the movie boring?


Now, once would be enough, but The Walkers wanna make sure you know how boring the part of the movie you're on is, in case you missed the snoring from the track you just listened to, so, with thanks to whatever 3rd grader told him to make it the title of his “Comfortably Numb” parody, “Comfortably Dumb.”




In the context of both the original album and the movie, the song applies to Pink as he, at this point, is going through all the motions of an artist because of a combination of all the drugs and his disconnect with the fans. For the band, this was inspired when Waters was on so much meds because of the flu during a performance, that, like Pink, he was going through the motions. It can also serve for the band as a whole as it can also be a reference to their mass drug use.


In context of the review? The guy from Slipknot is falling asleep in the chair when his agent (Brad Jones) and a couple of other people toss him outside to “Sober up.” And what's the Critic doing all of this to link it to the movie? Walking in a cornfield. Deep.


At one point, the song mentions when the Critic was a kid, he was “Invested” like he was with “Dark-side Of The Moon,” but now that he's older, not so much. Again, “The Wall” is not perfection and there's arguments that Floyd's other stuff is better, but...again, “Boring,” “Dumb,” and “Dragging” are stuff I would NEVER put with “The Wall,” it's a journey from start to finish so there's gonna be some very personal moments, especially since that's half the album, the band's whole journey TO the point of recording “The Wall.”


This was all a culmination of a burnt out Waters, and various members, after a concert where a fan was overjoyed to get spat on by Waters, causing them to look on their lives, fame, and everything. Pink's story is, essentially, the band members' stories, from Waters losing his dad at a young age thanks to World War II to the band members' horrible school life. I'm sorry not all the songs can be “Money” or “Shine On You Crazy Diamond,” but when you make a concept album based on your own lives, there's gonna be more somber and subtle moments.


And, yes, when we get to THAT moment, you'll find out “Subtle” and Channel Awesome are about as subtle as me, or anybody else, making a “Channel Awful” joke.


While all this is going on in the Nostalgia Critic's...whatever you wanna call the montage since he's not reviewing...in the hotel room, the agent, the maid, and a random person (Malcolm) drag Cory into a dark warehouse like place because it's...where he dumps people that he doesn't want other people to see...


A showing of Batman Vs. Superman?


Anyway, the agent orders Cory to “Sober up or have an existential crisis...”


Annnnnnnnnnnnnnnnnnnnnnnnnnd this is where everything falls off the rails. Oh, it's been bad, painful, and insulting, but at least everything I've relayed is somehow connected to The Wall as a parody of the plot, namely what Cory is going through to remember the movie vs. what Pink is going through burned out on life. But now...*SIGH* ...now comes the digression you probably waited to hear about.


Let's talk about how the Walkers and how their egos have no sense of irony...or they are freakin' stupid.


One of the most infamous moments of the movie has a disconnected Pink picturing him leading his fans as if they were Nazis and he was the head of the Gestapo, complete with two hammers forming an X as the symbol. It's to show how far gone Pink is with both his sanity and his disconnect as he uses his fantasy Nazi army of fans to feel better about himself as they march all over.


Now, I'll mention the songs parodied and what I think of those later, because...this sequence has to be unloaded at once, given what's come out about The Walkers recently...and how it shows, as I said earlier, they have no sense of irony or are REALLY freakin' stupid.


Cory wakes up from the room he's dragged to, only instead we see the back of the Nostalgia Critic as he matches into a room...with the words “THE PERSON YOU HATE” on his face, all the while he yells the song I'm about to mention into a wall of TV's...LABLED “ECHO CHAMBER!” Again, there is no sense of irony or self awareness, the Walkers want you to take this bit as seriously as possible IN A PARODY, complete with, in place of the hammers, THE HASHTAG AS A NAZI SYMBOL.


The reason for all of this is because a couple of years ago, as of this writing, a whole lot of his former partners, an currently ex-friends, left the site. TL;DR, there were issues from how he treated everybody during the filming of the 3 Channel Awesome movies to hiding a groomer (Somebody who molds under age women to be the “Perfect girlfriend”) and didn't do anything until they had to...even then, with reluctance.


Needless to say, the Walkers and the producers they were with on Channel Awesome didn't like it one bit and decided here, in a parody that was supposed to be about somebody's experiences watching/listening to The Wall, they would go on a digression on how the internet...


Which shouldn't TOTALLY BACKFIRE on somebody who is 100% DEPENDENT ON THE INTERNET.


...is causing him grief and how people wanna “Wrongfully” cancel somebody who did nothing but hide a groomer and told people he mistreated “Sorry you feel that way” in the most hollow of hollow apologies.


And...this is what convinced me to review the parody despite never seeing the movie. It's not just everything that I mention, but it causes the momentum of the main “Plot” of the...ugh... “Tribute” to come to a screeching halt. All because somebody wanted to remark on how he felt “Hurt” over actions he did that hurt others.


It's too long to list; when you're done with this review, Google “Not So Awesome Document” for more info.


To top it all of, he wrote, and performed, this response with everything I mentioned from the “Person You Hate” wording on his face to the area being called an “Echo Chamber.” This is the equivalent of saying why Marvel films are more structured at a DC Fandome, and the person saying it has no clue why people are rolling their eyes.


And all of this is done, in the first half, to a parody of “In The Flesh,” titled “In The Floyd (Again?).”





The whole point of the entire Nazi sequence, as well as this part of the story, was to show Pink has possibly gone down too far in his disconnect, that there might not be any coming back as his disconnect and resentment for his fame and fans turns into full on hate, evident by the very fact that, in his mind, he turned his own fans into Nazis and used them to deal with all his anger in the world.


Doug Walker wants to use this to tell you that everybody is an idiot for calling him out for everything and you're an idiot if you buy into it. And how does he put you “In the wall?” By posting you, the fans, in mean tweets that his fans are too happy to do it to. On top of that, this is supposed to imply that it can be “Anybody” just as long as you fans are happy to hurt him in someway, going against both the album AND the movie just so he can personally call you an idiot for reading the Not So Awesome document.


Just as much as people can call him an idiot for this...ugh... “Tribute” that he did very little to no research on. And, in case an entire song about this was too subtle about you, after he comes back in from discovering how bright the sun is, he continues the “Hashtag=Swastika” shtick with his answer to “Waiting For the Worms,” “Waiting for the Point.”





And this is played in the review while he, still in his fake Nazi get up, orders his troops and fans to post how bad people are for what they have done. DO YOU GET THE MESSAGE YET!?


And it's that point that the Walkers think you do, as the narrative goes back to Cory's memories of watching The Wall as we get to the parody of “Bring the Boys Back Home,” a song about, in Water's own words, stuff from not letting people go off and die in wars to not allowing rock and roll, or making cars, or selling soap, or getting involved in biological research, or anything that anybody might do ... not letting that become such an important and 'jolly boy's game' that it becomes more important than friends, wives, children, or other people.”


And I got that off of Wikipedia, I did my RESARCH, the 4 letter word for the Walkers they really didn't want to do. How do I know this? Because the parody is “Bring The Run Time Down,” a song complaining about the length...OF A 95 MINUTE MOVIE!





Oh, I'm sorry, I guess Doug needs 5 more minutes in front of a mirror “I'm smart enough, I'm good enough, and dog gone it, people like me.”


Eventually, Cory goes to the Critic himself and they try to talk about the movie...when they get interrupted by a call from Sullivan Croft from “Satellite City.” It turns out his creation, Lucy Lacemaker, is a living breathing thing and she shows up to put the Nostalgia Critic, along with other CG'd characters, through their version of “The Trial,” known as “Fennah's the Trial.”




I'm not gonna complain about the CG in this, like others have. Not that they have a reason to, it's not that good. The reason I'm not is that I'm in the camp of “It's fine for an independent production” so...uh...it's that. What I will rag on is that the entire reason she's here AND for this trial is that she's arguing that all the characters that are supposed to represent Pink's inner demons need to be more rounded and developed.


Why? What's the point? Why does the mental demon of the teacher need to be as developed as the real one from Pink's memory? Why does an anthro form of The Wall need the same development as Pink when it's purpose is, as that of all the animated demonic characters, is to show Pink's mind has gone and he has to choose to either fight it or give in to the despair and disconnect. I don't need to know if the home life of the demonic version of the teacher is just as sad as the real one. The purpose of all these characters, and the trial itself, is to show Pink has let his life finally cave in and all the pressure that got him here has won.


So, what's the purpose of this one? To argue why we need to have the mental illusions to be developed...only for the trial to conclude “Oh, never mind, movie's still great, but tear down the wall.”



Wait...that can't be right, there was no mental wall in this thing, let me try that again...


So, what's the purpose of this one? To argue why we need to have the mental illusions to be developed...only for the trial to conclude “Oh, never mind, movie's still great, but tear down the wall.”



WHAT WALL!? Cory, The Critic, NOBODY built any wall in the...ugh... “Tribute” built ANY wall! What? That “Wall” Critic said fans should put people on that WE NEVER EVEN SAW!? The whole thing...save for the digression...was about somebody remembering watching the movie! The movie and the album had a wall, this didn't! It even FORCED ITSELF TO HAVE ONE AT THE END BECAUSE “MOVIE!”


Let's just finish this, Critic tried to leave on a vague note, Cory got pissed, Critic said “I liked it fine,” Cory sing “Spongebob Squarepants.” THE END!





This is what he does to movies he likes, I now have more sympathy to the ones he hates.


This...ugh... “Tribute” to The Wall is anything but. I've never seen something break the Guinness Book Of World Records in the “Number of things wrong in a short time” department, complete with insult after insult after insult. I looked up half of the stuff I was stumped on or needed to see the movie for, and the very existence of this review itself says that The Walkers saw this movie...AND STILL GOT SO MANY THINGS WRONG! From turning the most famous song into a pro-authority song on the grounds of “High School wasn't that bad, shut up” (When it was) to calling one of the songs that was on the original album Oscar bait, and not getting the part of both the album and the movie that was the band members' personal stories, especially Waters's. Again, I did the research to understand the World War II connection, where as the Walkers think “Research” is a 4 letter word 'cause them am smrt.


Insert recap of Nostalgia Critic yelling in an echo chamber here.


I'm gonna get around to seeing the actual movie one day, but for now I thank GOD we have the album, something that will ALWAYS be better than this...ugh... “Tribute.”


FINAL VERDICT: For no research, a horrible...ugh... “Tribute,” awful singing, not getting the point of the thing The Walkers are paying...ugh... “Tribute” to, awkward CG (Though not bad for an independent production), a personal shot that causes the main narrative to come to a halt, and a waste of the guy from Slipknot, this...ugh... “Tribute” gets a MEGA ATOMIC B-MOVIE BOMB! The melodies are good...then you hear the words...and the plot...


Now if you'll excuse me, I need some good ol' brainwashing to forget this thing. Xanadu, TAKE ME AWAY!


And no, I'm not doing Xanadu, I'm keeping what's next a surprise for once, I need a break from this level of pain.